Saturday, March 25, 2006

I Capture the Castle by Dodie Smith

I have to say, I identified with the protagonist in the beginning. Seventeen-year-old Cassandra is an aspiring writer who adores Austen and the Brontes, but finds little in her life to inspire her own literary contribution. Our similarities, however, ended with the first chapter. Cassandra lives in an old castle in England in the 1940s, with her author-turned-hermit father, nudist model stepmother, bored and dreaming older sister, studious younger brother, and a deceased servant's orphan son who loves her in his simple and unworthy way.

The owners of the castle, two conveniently handsome, engaging brothers, come to claim their inheritance, and all their lives soon become intertwined. Rose, the older sister, becomes engaged to one of the brothers, Simon. But as Rose discovers she does not truly love him, Cassandra discovers she herself does. Unofortunately, Simon does not feel the same about her. But after Rose elopes with the younger brother Neil, Simon impulsively proposes to Cassandra. Nevertheless, she refuses, knowing he would never love her as he loved Rose.

Symbols and elements of loneliness are prevalent. Cassandra finds herself alone quite often. Sometimes she welcomes it, and sometimes she does not. The denouement leaves her single. The book is not a chronicle of courtship, but a coming-of-age sort of thing, a showcase of development that follows Cassandra as she acquires the qualities that will ultimately enhance her adult life. She finds independence, and apparently she is the better for it.

Cassandra briefly explores religion but concludes it is just a way to avoid the events of life. The town vicar is described as baby-faced and golden-haired, as if he had never grown up and never really lived life. Cassandra's conclusion is mystifying to me. Why God is avoidance, rather than solace or purpose, is not truly established.

Cassandra begins as a worthy protagonist, but she devolves into someone less worthy of the reader's sympathy. She blunders through servant son Stephen's emotional attachment to her, she pursues her sister's fiance, she analyzes everything into oblivion, and she continues tediously and self-centeredly until the end. For most of the book, she is unhappy, and there is not celebratory ending to countermand that. One American brother comments on how melancholy England seems to be, much as the novel as a whole is. But perhaps that is the author's aim- to capture the melancholy of adolescence in a searingly accurate manner.

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