The title of this book caught my eye one day in a thrift store in Idyllwild. It was so melodic and enigmatic, with a hint of bitter irony. I flipped the cover open and discovered the splendid black-and-white photographs that grace the beginning and complement the narrative. I decided the book was fully worth 50 cents based on these merits alone.
As it turns out, the book has its own intrinsic value. Agee was sent by the magazine he worked for to the South in 1936, to profile some farmers there. His resulting manuscript was far too long to be printed in a magazine. He was eventually able to acquire the publishing rights and find a publisher. What the book is, is hard to categorize. Agee details every element of the lives of three tenant farmer families- from the nature of their liveliehood, to the foods they eat, the houses they live in, and the clothes they wear. But more than this, he delves into the psychological aspects of the desperate poverty in which they exist.
Interspersed between the intricate descriptions and intimate discussions of the farmers' lives, are Agee's musings on the essential nature of existence in general. It is all a fascinating window into his philosophies and beliefs, and though the book purports to be about tenant farmers, it is truly about Agee. He has a fierce regard for humanity, and it pervades his work. He has a fixation on sexuality, and this too permeates his writing. It is not uncomfortably prominent, though.
Despite some objectionable metaphors and peculiar agnosticism, Agee's narrative held me fully spellbound. I actually enjoyed reading this book, and so I know it was due entirely to Agee's adept handling of the English language. His prose was truly masterful. The fact that I was held rapt from beginning to end is testament to this.
The beauty of this book was its greatest merit. Agee's words mesmerized me in this sort of literary splendor. I've never had a reaction quite like this to a work of literature. Often for me the content obscures the quality of the writing, but this time the technique surpassed the subject, rendering it rather incidental. I felt as if I could say to Agee, "Okay, I can get with you on this one. I'll suspend my disbelief for you. I can dig it." It was an unparalled experience.
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